Interior Design

Walsh Grange is a contemporary collection of just 23 one, two and three-bedroom apartments, developed in a joint venture between CQ Property Development and Loi Projects.

Local &nbsp;architecture firm, Telha Clarke is behind the design of the modern low-rise building, with their focus to create a feeling of connection, through shared public spaces, and surrounding gardens and trees.

“This collection of homes delivers seamless modern living, architecturally designed to bring pleasure to your life every day,” Projects by Buxton agent Heath Thompson says.

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Every surface, fitting and element of the Walsh Grange residences has been carefully chosen to create a home that works together and provides a balanced, flowing home.

“Everything works together, providing a balanced, harmonious flow. You feel it the moment you walk in, a welcoming warmth and an air of luxury - exactly what you would expect from this gem," Thompson added.

The ground floor comprises nine apartments, with a mix of one, two and three bedroom offerings.

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G02 and Go3 are one-bedroom, one-bathroom apartments, each with one car space. G02 covers 49 sqm of floor space, while the latter sits across 51 sqm.

G05 and G07 are two-bedroom, two-bathroom configurations, both spanning 71 sqm, with one car space.

G04 is a three-bedroom, two-bathroom, north facing apartment, with 96 sqm of floor space. It has a 73 sqm private courtyard, as well as two car spaces.

Similarly, G08 is a three-bedroom, two-bathroom apartment, on the Grange Road side of the development, spanning 95 sqm internally, along with 111 sqm of private courtyard space. &nbsp;

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Selected ground-floor residences include rear entries, adding further texture to the building’s character.

G06 and G09, both two-bedroom, two-bathroom apartments have already been sold.

A step up, level one features eight two-bedroom, two-bathroom apartments, all sitting across upwards of 70 sqm of floor space, along with one, two-bedroom, one-bathroom residence, that covers 68 sqm.

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Level two of Walsh Grange comprises five apartments, with two, two-bedroom, two-bathroom apartments, two, two-bedroom, one-bathroom apartments and one, three-bedroom, two-bathroom apartment.

Apartment 205 is the biggest of the level two, covering 97 sqm internally, adjoined with a 45 sqm north-facing terrace.

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Local  architecture firm, Telha Clarke is behind the design of the modern low-rise building, with their focus to create a feeling of connection, through shared public spaces, and surrounding gardens and trees.



alisonwarters@gmail.com

Inside the floorplans of Ormond's latest apartment development, Walsh Grange 

The Gratis is the latest offering from Hive Properties, transforming Melbourne&rsquo;s inner-eastern suburb of Deepdene.

Situated at 918-920 Burke Road, the residence boasts contemporary finishes and high-quality features at a sought-after address.

Featuring just 12 three-bedroom apartments, residents can enjoy luxurious light-filled homes and great interior design by Adele Bates.

&ldquo;We really curated each interior of the twelve to be unique in its own way in terms of ensuring the space planning was really resolved, and how we best maximise the space for entertaining, for living&rdquo;, Bates said.

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The Embrace Architects-designed building boasts a metallic finish to concrete soffit, double glazed aluminium windows and natural stone cladding.

A grand lobby features a chandelier, Control 4 automated entryway and natural stone tiling.

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The Gratis delivers residents a luxurious living experience with herringbone oak flooring, Vintec wine fridge, natural stone islands and integrated fridge and freezer.

Open-plan living and dining, a built-in fireplace and the choice of two colour schemes are among the offerings in these boutique apartments.

The built-in cocktail bar boasts LED strip lighting, Zip HydroTap, natural stone benchtops and brass finishes that harmonise with the interior styling in the kitchen and bathroom.

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Among the great features in the bathroom include a free-standing bath and fluted glass shower screens.

With landscaped gardens and planter boxes designed by landscape architect Jack Merlo, residents can enjoy connecting with the outdoors.

&ldquo;The Gratis offers a unique opportunity for people who might be coming out of a larger home or property in the area with all the beautiful leafy streets and gardens.&rdquo;

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&ldquo;You&rsquo;ll certainly have the added benefit of apartment living and the lower maintenance aspect of that, but you won&rsquo;t need to lose the nice leafy aspect that perhaps you have been used to&rdquo;, said Merlo.

The features that make this home very special include the handcrafted tiles in the living space that offer the home a contemporary and luxury feel, as well as the impressive Molteni.&amp;C Gliss Master walk-in closet.

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The closet, available in select residences, is designed by Vincent Van Duysen and includes a sophisticated pull-out shirt rack, pull-out drawers and trays, glass shelving and a drawer island.

Showcasing a bold yet neutral colour palette throughout generous living zones, discerning Melbourne buyers need not look past The Gratis.

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The Embrace Architects-designed building boasts a metallic finish to concrete soffit, double glazed aluminium windows and natural stone cladding

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A look inside luxury: The Gratis, Deepdene apartments designed by Adele Bates

EXPERT OPINION

COVID-19 has changed the world in ways that will never be undone, and just as we&rsquo;ve adapted to the &lsquo;new normal&rsquo;, we&rsquo;ve also acquired a new perspective on how we view our homes.

Up until recently, the notion of spending every hour of every day for months on end cooped up inside your home - with your entire family - would have seemed absurd, and a little terrifying. For many, our sanctuaries became stressful cesspools, as work, school, and play became compressed inside our four walls. It&rsquo;s no wonder Australians are spending a record one billion dollars a month on renovations.

COVID lockdowns have magnified the niggling inadequacies of our homes and caused shortcomings we previously overlooked to become daily bugbears. The old desk shoved in the spare room doesn&rsquo;t cut it as a functional space to work from home, the kitchen counter can&rsquo;t double as a classroom for weeks on end, and the low maintenance yard, for those of us lucky enough to have one, doesn&rsquo;t add much spice to a life that&rsquo;s become infinitely more constrained. COVID&rsquo;s forced us all to re-evaluate many aspects of our lives, and one big-ticket item is our home. Homeowners are realising the importance of having a space that&rsquo;s far more functional and comfortable to inhabit.

Research by Stockland reveals almost three quarters of Australians are rethinking their living situation, while 80% say they&rsquo;re more aware of how their home and environment affects their wellbeing, and 10% are currently planning to move to a new dwelling that better suits their needs. But what are these needs exactly?

<img alt="" height="634" src="https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/lennox_pool_.jpg" width="1200" /> 
The swimming pool in The Lennox in Parramatta. Image supplied

Health and wellbeing

Pre COVID-19, most of us had never given aerosols the slightest thought, but no doubt anyone living in an apartment this past year has wondered at some point what airborne intruders might be wafting under the door or through the vents. Air purifiers sold out during the Black Summer bushfires, and who can forget the Sydney water crisis in the late 90s, which forced millions of residents to boil their tap water due to parasite contamination.

Lockdown has increased the intimacy we have with our homes, and our reliance on them. A simple investment like a water purification system for a building project can pay dividends. Some reports suggest 70% of buyers would be willing to spend an extra US$1,000 for air and water filtration systems alone in a property. Developers shouldn&rsquo;t underestimate the pull of such features when marketing their properties. Relatively small investments like these can have a big impact on how desirable the property is to buyers. Other ways to stand out when marketing your property include offering low VOC paint options, antimicrobial surfaces such as benchtops and handles, and even low allergy flooring.

Biophilic design is becoming a must too. It aims to integrate nature into the built environment and improve the wellbeing of occupants. Numerous studies have shown the stress and wellbeing benefits of indoor plants, and incorporating greenery and functional outside spaces into your design is another simple way to entice buyers. For those looking at the prospect of apartment living, simply having a space to take your child for a quick play without having to leave your address can be very valuable. But the space must be functional and appeal to the target demographic of your project. Communal spaces should not be a &lsquo;cut and paste&rsquo; addition, they should be designed with the buyer in mind.

With the Waterbrook Retirement Lifestyle Resort, we created a sense of serenity and calm by incorporating floor to ceiling windows and skylights to flood shared amenities with natural light and sustain a variety of plants inside the building. Knowing the residents would rely heavily on the communal spaces for their leisure time, we wanted to create a serene and pleasant environment that feels like an extension of their private residences.

Bespoke design at an affordable price

One factor hampering apartment living is the often the dull, generic, and limited design alternatives on offer. You only have to look at the lacklustre performance of some developments in areas like Zetland, Waterloo in Sydney, or Docklands in Melbourne to see that poor standards or a glut of cookie-cutter options puts buyers off. But, by adding some smart features and options you can position your property as a preferable alternative to others on the market.

Increasing fitout and design options usually increases costs and complexity of the build, but it doesn&rsquo;t have to. When designing The Lennox, we wanted to ensure buyers at every price point felt like they could make their space their home.

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We were able to offer six variations of the two main themes offered: sleek and classic. We did this by selecting colours and materials that worked well together in a variety of combinations, which allowed us to turn the usual two- tone option into several alternatives for buyers. We also selected a different plank width and installation pattern for a more opulent feel in the larger apartments. We offered ceramic and marble alternatives in a single tile pattern and gave options for the benchtop stone to be wrapped around the island in place of wood to create a more luxurious effect for buyers who wanted it. By implementing clever design, we were able to maximise choice for buyers, while maintaining a streamlined process for the developer and builder.

Customisable design is another string in your marketing bow. Buyers conduct about 90% of their research for a new home online, so having customisable options to show in your sales collateral is a huge plus for your project. Creating a design that&rsquo;s tailored to your project&rsquo;s demographics doesn&rsquo;t need to be difficult, you just need to select a good designer who can create a unique identity for your project that will catch the eye of the right buyers.

About Lorena

Lorena is an award-winning interior designer with more than 20 years&rsquo; experience designing for property developers, including several Fortune 500 companies, in the US, China, and Australia.&nbsp;

Some of her most recent projects here include&nbsp;The Lennox&nbsp;in Parramatta for which she won a Gold Nugget Award, and the&nbsp;Waterbrook&nbsp;Retirement Lifestyle Resort in Bowral. She also has an extensive&nbsp;portfolio&nbsp;of work for individual homeowners. Lorena&rsquo;s based in Sydney where she heads an all-female team of interior architects and designers.&nbsp;

One factor hampering apartment living is the often the dull, generic, and limited design alternatives on offer

Joel Robinson

What the ‘new normal’ means for developers as buyer expectations shift: Interior designer Lorena Gaxiola

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GUEST OBSERVATION
Furniture stores are often filled with designs that look similar to others. But is copying furniture legal, and should we feel bad about buying replicas?
Recently, interior designers accused the supermarket Aldi of copying an Australian designer’s stool in the launch of a new range of “luxe” furniture. Some, including the Design Institute of Australia, noted the stool’s similarities to designer Mark Tuckey’s eggcup stool, which retails for more than $550. Aldi withdrew its stool (priced at $69) on the day of the sale, citing quarantine issues and said it was scheduled to return to stores in late August. (There is no suggestion that Aldi has broken the law here).
In general, copying furniture designs that have not been registered in Australia is likely to be legal. This means that, in most circumstances when designers have not registered their work, businesses are able to sell, and Australian consumers are able to purchase, replica furniture without breaking the law.
How designs are protected
A designer of furniture, fashion or any other product will normally start out by creating a 2D drawing of their product. The drawing might be made by hand or using a computer or machine. This initial design is automatically protected under copyright law as an “artistic work”. For most types of artistic works, copyright lasts for the lifetime of the creator plus an additional 70 years.
Copyright law prevents a person from copying someone else’s work if they do not have permission or a legal excuse. Making a 3D reproduction of a 2D artistic work counts as “copying” under law. So a person who makes, for example, a physical 3D chair using a designer’s 2D design of that chair may be infringing copyright of that 2D artistic work.
However, there is an interesting feature of copyright law that applies only to designers. A designer will lose copyright protection in their 2D artistic work if it is “industrially applied”.
“Industrial application” is generally understood to mean that 50 or more copies of the 3D product deriving from the design are made and offered for sale. Any mass commercial production will therefore take the product outside of the scope of copyright law.
However, mass-designed products can be protected by Australia’s designs system. This system protects the visual appearance of a product. Unlike with copyright, designers must register their designs to be protected under law.
For a design to be registered, it must meet certain minimum requirements. Importantly, it must be new and visually distinctive. The novelty of a design is critical to protection. These requirements ensure that ordinary and unremarkable designs are not constrained by intellectual property law, but are free for people to make and sell.
How is this determined? An application for design registration is filed with and assessed by IP Australia, located in Canberra. It usually takes between three and 12 months to process an application, and costs around $300 to apply. Once registered, design protection lasts for five years, with the opportunity to renew registration for a further five years - so 10 years in total.
The designs register is searchable online. Our search did not reveal any designs registered to Mark Tuckey.
Incomplete protection is deliberate
There are important policy reasons why designers are not given complete protection under intellectual property law. For one, it is often difficult to determine what is an original design when aesthetics meets functionality - there are a limited number of ways to design a seat that people will actually want to sit on! Designs protection is limited so that consumers can affordably access practical products.
Designs law tries to balance a designer’s right to protect their product with the public’s right to access. Getting the balance right is tricky, and is likely to be under increasing pressure with the advent of 3D printing for the home.
It is now possible to print replica furniture, and this practice may become more popular as 3D printing technology becomes simultaneously more sophisticated and more widely available. This is likely to raise ongoing questions about the scope of designs protection under copyright and designs law, and whether the law is appropriately tailored to protect designers.
For Australian designers, the answer may not be stronger legal protection. First, we should ensure that the designs registration system is working effectively. Anecdotal reports suggest that the designs system is underused. We need to make sure that registration is affordable and accessible. Only then will we be in a position to know whether the protection offered by designs registration is enough.
For consumers, the good news is that replica furniture is likely to continue to be available in retail stores. There is certainly nothing illegal about buying replica furniture. Those with the budget to do so, however, may want to consider supporting local Australian designers of furniture and home crafts.<img src="https://counter.theconversation.com/content/100336/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important; text-shadow: none !important;">
Kylie Pappalardo, Lecturer, School of Law, Queensland University of Technology
Karnika Bansal, Research Assistant, Faculty of Law, Queensland University of Technology
This article was originally published on <a href="http://theconversation.com" target="_blank">The Conversation</a>. Read the <a href="https://theconversation.com/explainer-can-you-copyright-furniture-100336" target="_blank">original article</a>.
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j.ballantyne1990-6AQqhLzZaK

Is it possible to copyright furniture?

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GUEST OBSERVATION
Research shows humans don’t like being caged in, preferring to be in larger, more open spaces. And different factors – such as the shape of rooms, the colour of surfaces and the positioning and brightness of lighting – all influence how we perceive space.
These are the elements designers and architects consider when creating spaces. And there are several tips you can use yourself to make your apartment, or any living space, seem roomier.
Extending space
If your apartment has outside views, you should use these. By facing living areas and furniture towards the window or balcony, the outside landscape becomes an extension of the inside space, increasing the perception of the room’s size.
Architects (including Frank Lloyd Wright in his famous work Fallingwater, pictured above) have long used this tactic to draw the eye outside, as a contrast to smaller spaces with low ceilings. A window doesn’t need to be large to create this effect, but some research has shown it needs to take up about 20% of the wall to improve satisfaction with the interior space.
You can also place a mirror opposite that view, which will reflect the outside and contrive another illusory kind of “outside”. A mirror’s view into another room would have a similar effect.
Ceilings with light fittings tend to shrink a space. Lights are best located on walls, about 300mm below ceiling height and directed to shine up across the ceiling and down the walls. This spreads light over the surfaces, rather than concentrating it in a single direction, creating an illusion of size.
Standing and desktop lamps provide the same diversity of spread and reflection.
Using colour
Interior designers do follow guidelines based on studies of colour and light theory to create the appearance of more space, though these may be seen as subjective and relying on intuition.
Lighter colours, for instance, best reflect light and so create the appearance of space. Darker colours, decorative wallpapers and patterned fabrics shrink space and absorb light. Studies have shown lighter ceilings are perceived to be higher than darker ceilings.
Dark colours for floors can constrict a space. Deeply ornate textures and fabrics also shrink volume, as do exaggerated patterned carpets and rugs. Open and continuous flooring surfaces, like timber boards, engineered flooring, broadloom carpet and tiles, create an appearance of space.
Flexible space
<img src="https://images.theconversation.com/files/227731/original/file-20180716-44082-obq7hq.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip" alt="">
A wall at door height doubles as a cupboard that faces the bedroom side of the divide. Jason Busch/Stanhill Studio renovation by Normam Day&amp;Associates, Architects., Author provided
You could reorganise the apartment to change the functions of the rooms. Think, for instance, are the bedrooms well placed, or should the living areas be relocated?
Generally, external views are best adopted for the daylight hours and so for the living and working areas. And bedrooms rely less on broad outside views.
Melbourne’s heritage Romberg’s Stanhill Building was designed in 1950 with flexible apartment spaces that could be used as residences, offices and medical suites.
Later renovations repurposed the dining and living spaces as smaller bedrooms. The original bedrooms were redesigned as open-plan living and dining spaces, with views to Albert Park Lake.
A studio renovation (see photo above) in the building adopted a storage unit (facing into the bedroom area) to door height, which acts as a screen to divide the nominal “rooms”.
Things that normally work for a single purpose can take on more functions, which aids in using a small space for many purposes. For instance, if you own the apartment, you could replace a normal brick or timber dividing wall with a built-in cupboard which can face, back-to-back, into both rooms.
For the apartment renovation in the same building, a storage unit was designed to be a bookshelf taking up most of a wall (below).
<img src="https://images.theconversation.com/files/227733/original/file-20180716-44097-1ds5gox.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" alt="">
A wall can become a storage unit to save space. Trevor Mein/Stanhill Aptartment 2013 Norman Day &amp; Associates., Author provided
Using furniture
While there is limited research on the perceived spatial dimensions of furniture and its effect, studies do show the more furniture you put into a space, the smaller it appears. And most of us know the less “stuff” we have in our apartments the bigger they seem.
Fitted living room furniture with built-in side tables that hug the wall is better than having large single units and isolated tables. TVs and sound systems incorporated into storage are more space-efficient than stand-alone units.
Big furniture, like settees and coffee tables, ornate bedheads and oversized loose chairs, also overcrowds space. It’s not comfortable to have to walk around large pieces of furniture rather than through space.
<a href="https://images.theconversation.com/files/229222/original/file-20180725-194149-1hlygxl.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/229222/original/file-20180725-194149-1hlygxl.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" alt=""></a>
The less stuff you have, the more spacious things appear. <a class="source" href="https://www.instagram.com/p/BilnL1FHdIb/?taken-by=elisabeth_heier" target="_blank">@elisabeth_heier/Instagram (screenshot)</a>
<img src="https://counter.theconversation.com/content/98941/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1">The best types of furniture to use in small spaces are simple open-framed chairs and tables, furniture with light frames, steel or timber, and open backs.
Kirsten Day, Course Director Interior Architecture, Swinburne University of Technology
This article was originally published on <a href="http://theconversation.com" target="_blank">The Conversation</a>. Read the <a href="https://theconversation.com/live-in-a-small-place-an-interior-designers-tips-to-create-the-illusion-of-space-98941" target="_blank">original article</a>.
Main photo:  <a href="https://www.loc.gov/pictures/collection/highsm/" target="_blank" rel="nofollow">Carol M. Highsmith Archive</a> collection at the <a href="https://en.wikipedia.org/wiki/Library_of_Congress" target="_blank" title="en:Library of Congress">Library of Congress</a>.
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An interior designer's tips to create the illusion of space: Kirsten Day

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The winners of the City of Port Phillip Design &amp; Development Awards 2018 were announced on Tuesday 20 March at the NGV International, as a part of the programme for Melbourne Design Week 2018.

Hosted by Tim Ross and Mayor Cr Bernadene Voss, and presented by jurors Professor Donald Bates, Shelley Penn, Deputy Mayor Cr Dick Gross, Cr Katherine Copsey and Cr David Brand, the event brought together community, industry and Council to celebrate and promote design excellence in the municipality.

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/20180321_234958.jpg" rel="gallery-all" title="The evening was hosted by Tim Ross and Mayor Cr Bernadene Voss with awards presented by jurors"><img alt="" class="image-article-full-width-580px" height="412" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/20180321_234958.jpg?itok=vQJ_CaKm" title="The evening was hosted by Tim Ross and Mayor Cr Bernadene Voss with awards presented by jurors" width="580"></a>

<figcaption>The evening was hosted by Tim Ross and Mayor Cr Bernadene Voss with awards presented by jurors</figcaption></figure>This year's list of winners included a community park for all ages, the renewal of the iconic Palais Theatre, the restoration of a Victorian timber worker’s cottage and the conversion of Port Melbourne’s first post office.

<blockquote>
This year’s Design Week theme, Design Effects, recognises the importance of design excellence and thoughtful development in balancing growth and maintaining the unique character of diverse and distinctive neighbourhoods.

I can’t think of a more relevant theme for Port Phillip as we are very proud of our much-loved neighbourhoods and have pledged in our long-term vision to do our utmost to keep our City’s character as Port Phillip continues to grow.

- Bernadene Voss, Mayor City of Port Phillip
</blockquote>

The winners of each category and commendations are listed below:

Mayor's Choice Award

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/maritime_oculus.jpg" rel="gallery-all" title="The Maritime Cove Community Park. Image : Supplied"><img alt="" class="image-article-full-width-580px" height="389" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/maritime_oculus.jpg?itok=kJoPa--O" title="The Maritime Cove Community Park. Image : Supplied" width="580"></a>

<figcaption>The Maritime Cove Community Park. Image : Supplied</figcaption></figure>Winner(s) : 

<ul>
<li>The Maritime Cove Community Park - OCULUS Landscape Architecture &amp; Urban Design with Port of Melbourne</li>
</ul>
Residential dwelling - alteration or new build

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/acute_st_kilda_mixed.jpg" rel="gallery-all" title="Acute House and St Kilda Mixed Use House. Images : Supplied"><img alt="" class="image-article-full-width-580px" height="213" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/acute_st_kilda_mixed.jpg?itok=9FNBy6z1" title="Acute House and St Kilda Mixed Use House. Images : Supplied" width="580"></a>

<figcaption>Acute House and St Kilda Mixed Use House. Images : Supplied</figcaption></figure>WInner(s) : 

<ul>
<li>Acute House – OOF! Architecture with Mitty Price, and;</li>
	<li>St Kilda Mixed Use House – DDB Design Development &amp; Building with Matt Gibson Architecture &amp; Design</li>
</ul>
Commendation(s) :

<ul>
<li>Baffle House - Clare Cousins Architects</li>
	<li>Myrtle Tree House - MAKE Architecture</li>
</ul>
Multi-unit and mixed use development

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/elwood_house_0.jpg" rel="gallery-all" title="Elwood House. Image : Supplied"><img alt="" class="image-article-full-width-580px" height="359" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/elwood_house_0.jpg?itok=gAMsN9aV" title="Elwood House. Image : Supplied" width="580"></a>

<figcaption>Elwood House. Image : Supplied</figcaption></figure>WInner(s) : 

<ul>
<li>Elwood House – Piccolo with Hecker Guthrie &amp; Woods Bagot</li>
</ul>
Commendation(s) :

<ul>
<li>House and a half - Three C Architects</li>
</ul>
Place making

Winner(s) : 

<ul>
<li>The Maritime Cove Community Park - OCULUS Landscape Architecture &amp; Urban Design with Port of Melbourne</li>
</ul>
Non-residential development

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/albert_park_6degrees.jpg" rel="gallery-all" title="Albert Park College Environmental Arts Hub. Image : Supplied"><img alt="" class="image-article-full-width-580px" height="304" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/albert_park_6degrees.jpg?itok=tZiGLSM8" title="Albert Park College Environmental Arts Hub. Image : Supplied" width="580"></a>

<figcaption>Albert Park College Environmental Arts Hub. Image : Supplied</figcaption></figure>Winner(s) : 

<ul>
<li>Albert Park College Environmental Arts Hub – Six Degrees Architects</li>
</ul>
Commendation(s) :

<ul>
<li>The Gipson Commons, St Michael's Grammar School - Architectus</li>
	<li>Point Ormond Amenities Block - Garner Davis Architects</li>
</ul>
Interior fit out

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/dogs_bar_st_kilda.jpg" rel="gallery-all" title="Dog’s Bar St Kilda. Image : Supplied"><img alt="" class="image-article-full-width-580px" height="773" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/dogs_bar_st_kilda.jpg?itok=X6Y2jocx" title="Dog’s Bar St Kilda. Image : Supplied" width="580"></a>

<figcaption>Dog’s Bar St Kilda. Image : Supplied</figcaption></figure>Winner(s) : 

<ul>
<li>Dog’s Bar St Kilda with Colin Sheppard &amp; Grant Amon Architects</li>
</ul>
Commendation(s) :

<ul>
<li>MeatworksCo, South Melbourne</li>
</ul>
Heritage Conservation

<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/palais_copp.jpg" rel="gallery-all" title="The Palais Theatre restoration. Image : Supplied"><img alt="" class="image-article-full-width-580px" height="366" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/palais_copp.jpg?itok=ji3QU_y2" title="The Palais Theatre restoration. Image : Supplied" width="580"></a>

<figcaption>The Palais Theatre restoration. Image : Supplied</figcaption></figure>Winner(s) : 

<ul>
<li>Albert Park College Environmental Arts Hub – Six Degrees Architects</li>
	<li>Palais Theatre – Development Victoria with DELWP and City of Port Phillip</li>
</ul>
Commendation(s) :

<ul>
<li>Acute House - OOF! Architecture</li>
	<li>Beetson-Reid House -  RBA Architects &amp; Conservation Consultants</li>
</ul>
Out of Bounds Citation

<ul>
<li>Icon, St Kilda - Pace Development Group</li>
</ul>
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Laurence Dragomir

Winners of 2018 City of Port Phillip Design & Development Awards announced

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The City of Port Phillip has announced the shortlisted entries in its Design &amp; Development Awards for 2018. The jury panel and staff were impressed with the quantity and high quality of entries across all categories creating a welcome challenge during the shortlisting process for all involved. 

The Design &amp; Development Awards encourage and celebrate design excellence within the Port Phillip municipality, and intend to showcase exemplars in the fields of residential and non-residential architecture, urban design, heritage conservation, environmental and sustainable design, public art, interior design and placemaking.

The awards have generally been held biennially since 1998, with the last Awards event being held in 2014.

The shortlisted projects are as follows: 1. Residential dwelling: alteration or new build 

<ul>
<li>Acute House - OOF! Architecture</li>
	<li>Baffle House - <a href="https://www.urban.com.au/architects/clare-cousins-architects">Clare Cousins Architects</a>
</li>
	<li>Brooke Street Residence - Toby Earle</li>
	<li>Dreamcatcher - Fred Architecture</li>
	<li>Loch Street Residence - Matyas Architects</li>
	<li>Mills, The Toy Management House - Austin Maynard Architects</li>
	<li>Myrtle Tree House - <a href="https://www.urban.com.au/architects/make-architecture">MAKE Architecture</a>
</li>
	<li>St Kilda Mixed Use House - DDB Design Development + Building</li>
	<li>St Vincent Place House - <a href="https://www.urban.com.au/architects/nicholas-murray-architects">Nicholas Murray Architects</a>
</li>
	<li>The Corner House - <a href="https://www.urban.com.au/architects/poly-studio">POLYstudio</a>
</li>
</ul>
<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/baffle_house.jpg" rel="gallery-all" title="Baffle House, Clare Cousins Architects. Image : Supplied"><img alt="" class="image-article-full-width-580px" height="358" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/baffle_house.jpg?itok=MPk_Kso1" title="Baffle House, Clare Cousins Architects. Image : Supplied" width="580"></a>

<figcaption>Baffle House, Clare Cousins Architects. Image : Supplied</figcaption></figure> 2. Multi-unit and mixed-use development

<ul>
<li>Art House - <a href="https://www.urban.com.au/architects/justin-architecture">Justin Architecture</a>
</li>
	<li>Elwood House - <a href="https://www.urban.com.au/developers/piccolo">Piccolo</a>
</li>
	<li>James Joyce - Bojan Simic Architecture</li>
	<li>St Kilda East Townhouses - <a href="https://www.urban.com.au/architects/jost-architects">Jost Architects</a>
</li>
	<li>West Beach Townhouses - <a href="https://www.urban.com.au/architects/grant-amon-architects">Grant Amon Architects</a>
</li>
</ul>
<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/elwood_house.jpg" rel="gallery-all" title="Elwood House, Piccolo + Woods Bagot + Hecker Guthrie. Image : Supplied"><img alt="" class="image-article-full-width-580px" height="359" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/elwood_house.jpg?itok=elKqWAyO" title="Elwood House, Piccolo + Woods Bagot + Hecker Guthrie. Image : Supplied" width="580"></a>

<figcaption>Elwood House, Piccolo + Woods Bagot + Hecker Guthrie. Image : Supplied</figcaption></figure>3. Place making

<ul>
<li>The Maritime Cove Community Park - OCULUS landscape Architecture &amp; Urban Design</li>
</ul>
<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/maritime_cove.jpg" rel="gallery-all" title=" Maritime Cove Community Park, OCULUS. Image : Supplied"><img alt="" class="image-article-full-width-580px" height="389" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/maritime_cove.jpg?itok=nAkoWIKm" title=" Maritime Cove Community Park, OCULUS. Image : Supplied" width="580"></a>

<figcaption>Maritime Cove Community Park, OCULUS. Image : Supplied</figcaption></figure>4. Non-residential development

<ul>
<li>Albert Park College Environmental Arts Hub - <a href="https://www.urban.com.au/architects/six-degrees-architects">Six Degrees Architects</a>
</li>
	<li>Palais Theatre Project - <a href="https://www.urban.com.au/developers/development-victoria">Development Victoria</a>
</li>
	<li>Point Ormond Amenities Block - Garner Davis Architects</li>
	<li>The Gipson Commons, St Michael's Grammar School - <a href="https://www.urban.com.au/architects/architectus">Architectus</a>
</li>
</ul>
<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/albert_park_college.jpg" rel="gallery-all" title="Albert Park College Environmental Arts Hub, Six Degrees Architects. Image : Supplied"><img alt="" class="image-article-full-width-580px" height="304" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/albert_park_college.jpg?itok=LSDCeZbn" title="Albert Park College Environmental Arts Hub, Six Degrees Architects. Image : Supplied" width="580"></a>

<figcaption>Albert Park College Environmental Arts Hub, Six Degrees Architects. Image : Supplied</figcaption></figure>5. Public Art

<ul>
<li>'Blue Wren' - ADA Consulting</li>
	<li>'Elwood House' - Piccolo</li>
	<li>'Ode' - <a href="https://www.urban.com.au/developers/pace-development-group">Pace Development Group</a>
</li>
</ul>
<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/blue_wren.jpg" rel="gallery-all" title="'Blue Wren', ADA Consulting. Image : Supplied "><img alt="" class="image-article-full-width-580px" height="712" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/blue_wren.jpg?itok=YDb14dqC" title="'Blue Wren', ADA Consulting. Image : Supplied " width="580"></a>

<figcaption>'Blue Wren', ADA Consulting. Image : Supplied</figcaption></figure>6. Interior fit out

<ul>
<li>Dog's Bar, <a href="https://www.urban.com.au/new-apartments/st-kilda-vic">St Kilda</a>
</li>
	<li>MeatworksCo, <a href="https://www.urban.com.au/new-apartments/south-melbourne-vic">South Melbourne</a>
</li>
</ul>
<figure><a class="colorbox colorbox-insert-image" href="https://res.cloudinary.com/dz9xllyip/image/fetch/q_auto:good/https://s3-ap-southeast-2.amazonaws.com/www.urban.com.au/s3fs-public/pictures/article-images/meatworksco.jpg" rel="gallery-all" title="MeatworksCo, South Melbourne. Image : Supplied"><img alt="" class="image-article-full-width-580px" height="381" src="/sites/urban.melbourne/files/styles/article_full_width_580px/public/pictures/article-images/meatworksco.jpg?itok=GH4MEVMu" title="MeatworksCo, South Melbourne. Image : Supplied" width="580"></a>

<figcaption>MeatworksCo, South Melbourne. Image : Supplied</figcaption></figure>For the full set of images and project descriptions click <a href="http://www.portphillip.vic.gov.au/DDAWARDS2018_PROGRAM_A5__SHORTLIST_FINAL_PROOF_HIRES.pdf">here</a>.

The Awards presentation event will be hosted at the National Gallery of Victoria on 20 March 2018 as part of the NGV's Melbourne Design Week 2018 (15 - 25 March). 

The ticketed free public event will be hosted by comedian Tim Ross who has a long-standing passion for architecture and design. Register for tickets <a href="https://www.eventbrite.com.au/e/city-of-port-phillip-design-development-awards-2018-registration-41987311178">here</a>.

The theme for this year's design week is 'Design Effects' "reflecting the view that it takes design excellence and thoughtful development to balance increasing growth and maintain the unique character of diverse and distinctive neighbourhoods." 

Lead Image: Cave Urban, 'Regenesis 2017.' Photo by p1xels
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City of Port Phillip's Design & Development Awards 2018 shortlist revealed

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A recent survey by Finder.com.au has revealed that some buyers indicated they would offer up to 25 percent less than the asking price for a property that had presented badly, further solidifying the importance of property presentation.
These results are really no surprise to us. Over the years we have seen unstyled or poorly presented properties have very little interest, only to sell over reserve following a spruce up by a professional stylist.
In a tough market place, property presentation can really make or break a sale.
Top tips for preparing your home or investment for sale include:
1. Improve your street appeal by tidying the gardens, repairing any fences or guttering, adding a fresh coat of paint and making sure to have a definitive pathway to the front door.
2. Declutter by removing excess furniture and personal items – too many items such as photo frames and figurines can make a property feel small and cramped and will distract buyers from focusing on the property itself.
3. Conceal day-to-day items such as laundry, piles of paperwork, dishes, keys and garbage or remove completely from the property for open for inspections.
4. Set up the property well in advance by opening all curtains and blinds, turning on heating or air conditioning, opening balcony doors and windows, and turning on lights and lamps – this will make the property feel light and airy.
5. Finishing touches create good first impressions – adding a bunch of flowers, bright scatter cushions and colourful throws along with burning a scented candle will make buyers feel welcome.
 
Justine Stedman is director and principal stylist of Vault Interiors and can be contacted <a href="https://www.vaultinteriors.com.au" target="_blank">here</a>.
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