Inside the Carr Design interiors of Riverbank apartments in Abbotsford: Urban chats with Sue Carr
The importance of interior designers creating the spaces and details within apartments has never been more important to residential developers.
Salta Properties, one of Australia's largest privately owned companies, called in the very best for their residential development The Park House in Melbourne's Abbotsford.
Carr, led by the design guru Sue Carr, handled the interiors at The Park House, the Victoria Street development made up of two buildings, Riverbank and Riverbend. They are named after their location, a stones throw from the Yarra River and bordering the popular Main Yarra Trail.
Urban recently spoke with the interior design guru Sue Carr, discussing all of the design elements of Riverbank.
JR: What was the brief from Salta for the interiors of the apartments?
SC: With every new project, we always begin by asking – what is the demographic of the purchaser? What is the lifestyle shift? Where is the location?
At Carr, we passionately believe that good architecture and design can enrich lives and make a difference to those that use and engage with it.
Every project is unique, so we take into consideration the client, brief, place, cost plan and timing. All these factors combine to produce a response that has at its core, a powerful concept and a logical outcome. We call this the ‘Big Idea’, which remains with the project from end-to-end and guides the outcome.
With The Park House development, we looked at the location and the natural environment for inspiration. This was the ‘Big Idea’.
Surrounded by some of Melbourne’s most animated and exciting precincts, the development sits on the banks of the Yarra Bend parklands, in a green belt framed by massive plane and gum trees.
One of the great aspects of this site is its proximity to the river and the bike paths that run along it. There is a spine that allows you to ride, run, row, or walk without seeing a major road. We love this idea of coming home after a long day at work and feeling like you have stepped away from the city and into the country. You can access stillness and natural beauty without having to abandon the excitement of a cosmopolitan urban lifestyle.
In response, we wanted each home to be a private sanctuary. We wanted to create a warm and welcoming environment with textures and earthy tones.
For the design, we opted for a unified palette, where we used few materials as possible. This direction links all the individual spaces, creating a coherent overall offering achieved via subtle repetition of form, materiality, and texture.
The brief was not just to design beautiful apartments, but also address the vast amenities. The aim was to allow neighbouring residents to interact with one another, getting the most from the building in terms of comfort, entertainment and occupant wellbeing.
JR: How early in the design phase do you and the architects collaborate? And why is earlier the better?
SC: The building façade reflects the ripples of the Yarra River. Although we did not literally carry this theme into the interiors like the architects, we responded to the site’s natural surroundings with our own interpretation. Our materials, colours and textures respond to the immediate site context and its makeup.
JR: What really stands out for you about the design? What is your favourite feature?
SC: There is an understanding in our practice of the significance of detail in design. There are considered subtleties in The Park House that will unfold and come to be appreciated over time.
We really wanted the interiors – both public and private – to encourage people to slow down, to consider the spaces, and enjoy the transition from the street, bike path or car park, into their home. We wanted them to enjoy the process of switching off at the end of the day and engaging with their surroundings.
To achieve this, we created integrated lighting throughout each of the apartments and through the public walkways. It is subtle and soft.
In each apartment, we also designed a custom light that floats above the kitchen island bench. This provides a sculptural element to the interior while also projecting a soft, interesting light. The routed timber veneer in the joinery, adds another level of texture.
Exaggerated proportions in the kitchen splashback highlight the scale of porcelain and create a grand sense of scale. Metal detailing to joinery in the kitchen and bathroom adds a refined aesthetic. Recessed LED lighting showcases the feature porcelain in the bathroom and kitchen
Our intention was to create a space that had a true sense of home but also a memorable atmosphere. We want the residents to feel the connection with the landscape beyond, with the building and their apartment becoming a welcoming sanctuary for them to take in all this development has to offer.
JR: What part did you play in the design of the amenity? And what design principles were important in the shared spaces?
SC: The Park House has vast amenity. It offers spaces both inside and out for all purposes – relaxation, work, entertainment, solitude – and for all demographics. There is a children’s area, a private lounge, a bar, a home theatre, a golf simulator, a pool, a spa – the list goes on and on.
While working with Salta, we were strongly informed by ideas about public and private space, and how these new emerging types of urban spaces are full of design possibilities.
For us, it was important that all these spaces seamlessly flow into one another. Many of the transitional spaces are dark and atmospheric, which ensures that as residents move into the light and open spaces, the sense of awe is enhanced by contrast.
Animating the larger functional spaces is natural light, invited into the building as the sun moves across from the east to the west. These ever-changing light effects and connection to landscape combine to form remarkable spaces that lie somewhere between art, sculpture, and architecture. Larger format glazing frames the view beyond, maximising outlook.
Part of the beauty of this development is the way it negotiates opposites. There is an intentional contrast between light and dark material palette. Certain areas open to the surrounding landscape, with internal lounges spilling out onto alfresco terracing, leading down to the river. This encapsulates a luxurious sense of home, inviting the residents to settle into these more private but public amenity spaces. The amenities are the key to a truly unique lifestyle on the banks of the Yarra River.
On the flipside, darker spaces, such as the library and meeting rooms, employ a darker, masculine palette. These interiors are richly layered and create a warmth.